I think I write better when I don't think. The act of thinking, of trying to make the story "reasonable" or trying to "figure out" what comes next, kill the story. My linear brain doesn't have any idea what should happen next. If I just followed logic, it would be dry and obvious. So go figure that my stories stop being interesting. At the same time, I can't abandon logic entirely, right? There's no story without cause and effect--aka logic. But I've noticed that when I stop thinking
about the story, and instead just think the story, it's like watching a movie. Suddenly I realize there's a village up ahead, and one or both characters are going to go into it. (Turns out only one does, and the other goes around, because it wasn't logical for her to go into the village.) And if there's a village, well, he'd want to make use of the inn's fire to cook some of the game they've caught. And of course, he came through this same village just a few days ago, so he already knows the innkeeper--and his wife, who would be in the kitchen. But all innkeeper's wives are old, with grown children who man the bar--and I didn't want one of those. So she's young, with a toddler on leading strings. And suddenly I've discovered that my character is a flirt.
That's good to know. :) And then it ought to rain, and if they're walking for days through the rain, one of them is going to get sick. (Not both--that's too complicated, and it's less likely anyway.) Wow, so one of them is sick. And suddenly I have the lead-in to the chapter transition, and it's way cleaner than it would've been without those developments.
When I was writing that story, that first chapter flowed like a gushing river, and I wrote it in a month or two.* The second chapter stalled. I spent months and months on it. I was doing a lot of world-building as I wrote it--not separately, but in the story itself. And my thinking brain got engaged, kicking out my intuitive brain. The story slogged, and it sucked, and I couldn't figure out how to get it back on track.
Unfortunately, I still haven't. :( I tried going back to the beginning of the chapter and rewriting it, but that version ended up being
way too condensed, and I'd lost the funny tone of the MC overthinking
everything, which had really pleased me in the first chapter and the first version of the second chapter. So what do I do? Should I continue the crappy first version? Should I continue the overly-pared-down second version? Or should I give it one last go and try a
third time? None of them sounds appealing.
The other problem is my working space. Or lack thereof. I live in a shoebox**. When I have time to keep it picked up, there is a very small amount of desk*** space where I can write. But usually that space is covered in papers and junk and the clock with a dead battery that just won't stop ticking, which I'm so entertained by that I don't have the heart to pull out or replace its battery. And even when the
desk is picked up****, the rest of the house is so stuffed that I have a hard time focusing on the hard work of trying to fix the sad chapter, not to mention the hard work of
stopping thinking so I can engage my writerly intuition. So I've been trying to find a bigger place to live, with a whole room for an office/library. With all kinds of nice, creatively energizing and inviting things in it, so I'll want to spend time there. And a clean desk, with a desk chair that's actually the correct size for my body.
While I figure out how to create that space, I have to remember one key thing: the
room won't make me creative. If I put all of my expectations on
that room giving me the ability to write... it won't. How do I keep writing enough that I don't put too much pressure on the fragile construct that will be my office?
* For me, working full time, that's reasonably fast. :)
** It was a single-car garage in a former life.
*** Aka dining table
**** Er ... almost never